From the foreword by Joachim Schmid:
Through years of camera surveillance the artist has compiled a virtually unreal amount of images, which have all been harvested from webcams. The quantity of images is of crucial importance here, because quantity (as is the case with many collections of things) at some point turns into quality. Only abundance enables the detection of recurring patterns. May the single image be just funny or banal or vacuous, in a series of similar ones it becomes a building block of knowledge. By sequencing kindred images, Caviezel makes order emerge from the torrent of images.